MING-CHANG TIEN RESEARCH
BIBLIOGRAPHY
Aciman, André. “Shadow Cities.” Letters of Transit: reflections on exile, identity, language, and loss. Ed. André Aciman. New York: The New York Public Library, 1999. Alexander, Jesse. “The Chain by Chien-Chi Chang.” Source. Ed. John Duncan and Richard West. Issue 42 (Spring 2005): 60- 61. Belfast: Source. Alphen, Ernst Van.“Nazism in the Family Album: Christian Boltanski’s Sans Souci”. The Familial Gaze. Ed. Marianne Hirsch. London: UP of New England, 1999. Ashcroft, Bill, et al. Post-Colonial Studies: the key concepts. London: Routledge, 2000. Ballerini, Julia, ed. Sequence (con)Sequence: (sub)versions of photography in the 80s. New York: Aperture, 1989. Barthes, Roland. Camera Lucida: Reflections on Photography. Trans. Richard Howard. New York: Hill & Wang, 1981. Caspari, A. Intending to Return: Portuguese Migrants in France: a case study from Grenoble. PhD thesis. University of Sussex, 1986. Chang, Mei-Ling. “Inside/Outside, Self/Other”. T.photo N-007, Taipei (1997): 62-67. ?i�f�’�hu�N�\E�N?C”�ga`?O?C?(C)�ña�N�e1/4?O`”?CT.photo N-007?C�ea�N�|k?C1997?B?j Chang, Tsong-Zung. Duplicated Memory: Chen Shun-Chu’s Family Images. Taipei: Hanart Gallery, 1999. ?i�f�’e`n?m?C�œ?�r?�qL�ñ�P: �fA^?�ö�fz�gI�ñAE�e�‹�ñe�eoe?C�ea�N�|k: ??�ñe�NOE�Ê?C1999?B?j Chen, Shun-Chu.
Assembly: Family Parade. Taipei: IT Park, 2002. ?i�fA^?�ö�fz?C”?W? Confucius. Annotate by Zhu Shi. Confucius Analects. Taipei: Golden Maple, 1987. ?i?E?q?C?e�La`�h?W�f??C?_OEe^?C�ea�N�|k?F�qa`�œ�|?C1987?B?j Cuau, Bernard. Introduction. Josef Koudelka. Paris: the Centre National de la Photographie, 1984. Dewey, John. Democracy and Education. New York: Macmillan, 1916. Dunleavy, Patrick. Authoring a PhD: how to plan, draft, write and finish a doctoral thesis or dissertation. Hampshire: Palgrave Macmillan, 2003. Edwards, Elizabeth. “Embodied Meanings: the sound and feel of photographs.” Source. Ed. John Duncan and Richard West. Issue 42 (Spring 2005): 40- 43. Belfast: Source. Ewing, William A., et al. Re-Generation: 50 photographers of tomorrow 2005-2025. London: Thames & Hudson, 2005. Figes, Kate. Ed. Childhood: an anthology. London: Orion, 1998. Fischman, Lisa. Surprise Encounter. A review collected by artist Ben Yu, 2002. Fu, Lei. A Letter Home by Lei Fu. Taipei: Lian He Literature, 1988. ?i?u�L�\�q?C?u�L�\�q�ñAE?�e?C�ea�N�|k?F�\u�N?�ö�œ�÷�r{?C1988 ?B?j Geczy, Adam and Benjamin Genocchio. What is Installation? an anthology of writings on Australian installation art. Sydney: Power Publications, 2001.
Gong, Yi-Juen. The transition of society and population in I-lan County.
I-Lan: I-Lan County Hall, 1999.?i?�qXOEN?C�qX�\�|ap? Gumpert, Lynn. Christian Boltanski. Paris: Flammarion, 1994. Guo, Li-Hsin. Writing Photography. Taipei: Yuan Liou, 1998. ?i?s�\I�Li�L3?C?�e�r???�ñe?C�ea�N�|k: �ñ�g�\�Ê?C1998?B?j Guo, Li-Hsin. ‘The Puppet Bridegroom’ in America. A review collected by artist Ben Yu. Unpublished, 2002. ?i?s�\I�Li�L3?C“a�Nia`s?V?Y”?Y�L�hu�N? ?FOE�g�fkY�Na`�|{i�L?�qss�hN�gI�ñe�eoe�en?i`?CY�Na`�|{i�L??3/4a�‹U?C2002?B?j Harker, Margaret F. Victorian and Edwardian Photographs. Lonndon: Charles Letts and Company Limited, 1975. Hirsch, Julia. Family Photographs: content, meaning and effect. New York: Oxford UP, 1981. Ho, Ching-Tai. Shadowed Life. Taipei: Times, 1990. ?i�ñ1/2aS�e�~?C�gs?s�fe^�ew?C�ea�N�|k?C??�œn?C1990?B?j Hsu, Chi-Ling. “An Initial Exploration of Taiwan Photography and ‘China’ Icon”. The Field of Others. Ed. Liou Ji-Hui. Taipei: Mai-Tien, 2001. ?i�q�|aY�\ae?C”�ea�Na`s??�ñea�No�œ?’�f�õ? ’�œ?a�‹j?�ñ�fT”?C�e1/4?O`�hV�Oae-�œ�÷�ñ�t?g�œ?a�No?A�NOE�t?o^�\??C�\�s�qIi^~�œO`?C�ea�N�|k: e^m�gc?C2001?B)
Hsu, Chi-Ling. “Looking for Our Ancestor through the Broken Mirror?
--- Discussing the transition and revival of Taiwanese family photographs”.
Chung-Wai Literary Monthly. 29.2 Taipei (July 2000): 69-98.?i�q�|aY�\ae?C“�hj�q3/4�\?�g??q?ae�ec?H---
�fk�ea�Na`s�ñAE�e�‹�e?�œ
Huang, Chun-Ming. “Dead Again?”. Release the Captured Animal. Ed. Shu-Yi Yu. Taipei: Lian-He Literature, 1999.?i�ñ(C)?t�|3/4?C“??�q??�O?O`?H“?C�œu�L?�÷?C�\]?i�qX�œO`?C�ea�N�|k?F�\u�N?�ö�œ�÷�r{?C1999?B?j Huang, Chun-Ming. “Dead Again?” Trans. Howard Goldblatt. Taiwan Literature: English translation series. Ed. Kuo-Ching Tu and Robert Backus. Santa Barbara (USA): University of California, 1999. Huang, Han-Di. Candle Lights at the House of Taiwan Photography. Taipei: Yuan Liou, 1998. ?i�ñ(C)?E�N�ñ�Ê?C�ea�Na`s??�ñe�q�€?AE?C�ea�N�|k: �ñ�g�\�Ê?C1998?B?j Jancic, Miroslav. “Home, Bloody Home.” Home: an anthology. Ed. Kathleen McPhilemy. London: Katabasis: 2000. Jiang, Hsion. Beauty in the Contemplation: an initial discussion in the thought of Chinese art. Taipei: Lion Art, 1986. ?i?O�L(TM)�Ê?C�hu�N�gI�f3/4?v?F�f�õ? a�‹Y?p?v�eza�N??_?C �ea�N�|k?F�\Y???C1986?B ) Kao, Chien-Hui. On Viewing Ben Yu’s “French Chair in Taiwan” Series. Exhibition catalogue. 2002. ?i???coe�N?C�\Le`?Y�Na`�|{i�L?�gI”�|@? �OO�N?q?Y�L�ea�Na`s”OEn�\n�gIaeV?A�‹?C�gWaeTa�L`?u^?C2002?B?j King, Peter. The Common Place: the ordinary experience of housing. Hampshire (England): Ashgate, 2005. Köhler, Susanne, Annelie Lütgens and Anja Westermann. The Chinese: photography and video from China. Wolfsburg: Kunstmuseum Wolfsburg, 2004. Kwok, Nicolette and Deborah Coates. Ed. Dream 2001: contemporary Chinese art exhibition. London: The Red Mansion, 2001. Kwon, Miwon. One Place After Another: site-specific art and locational identity. Massachusetts: The MIT Press, 2004. Lin, Bao-Bao. The Last Distinguished Family in Tsyh-Tong: I use the
way to explore my family story. Taipei: Yu-Shan She, 1998. ?i�\N�r?�r??C?�qE�N?A�‹OEa�gI�|]�e�‹?F�ña�N�h�ö?e�L�fT?q�ñAE�fe�NOEI`?�|?C�ea�N�|k?F�qE^?R? Luo, Da-You.
The Small Town of Lu-Gang. Taipei: Rock Records & Tapes,
1980. ?i�\�c�ea�‹�\C?C?-?`?�Ê�fA�L?C�ea�N�|k?FY�No�N?I^�\Lass?o�hA�‹? May, Rollo. The Courage to Create. London: Collins, 1976. McIntyre, Sophie. "Duplicating Memory: Chen Shun-chu's Photo Installations." Art Asia Pacific 28 (2000): 62-65. Michals, Duane. The House I Once Called Home. New York: Enitharmon Editions, 2003. Morris, Wright. The inhabitants. 2nd ed. New York: Da Capo Press, 1972. Morse, Margaret. “Home: smell, taste, posture, gleam.” Home, Exile, Homeland: film, media, and the politics of place. Ed. Hamid Naficy. New York: Routledge, 1999. Munoz, Liliana. Grief and Loss in Exile. M.Sc. thesis. University of Bristol, 1984. Nisbett, Richard E. The Geography of Thought- how Asians and Westerners think differently… and why. New York: Free Press, 2003. Novak, Lorie. "Collected Visions". The Familial Gaze. Ed. Marianne Hirsch. London: UP of New England, 1999.
Obrist, Hans Ulrich. “Installations Are The Answer, What Is The Question?” Oxford Art Journal: On Installation. 24.2 (2001): 93-101. Pan, Chau-Chen. “Strangers- Veteran in Taiwan”. Taipei Photofest
Special Issue. Ed. Chang, Chan-Song and Lee, Siang-Chang. Taipei: Taipei
Photofest, 1993. ?ia`N�f(C)?�Ê?C”�OU`�q1/2?l?F a�Nia`s�gI?O?E`? Pavel, Thomas. “Exile as Romance and as Tragedy.” Exile and Creativity: signpost, travelers, outsiders, backward glances. Ed. Susan Rubin Suleiman. Durham: Duke UP, 1998. 25-36. Pfenninger, Karl H. and Valerie R. Shubik. Ed. The Origins of Creativity. Oxford: Oxford UP, 2001. Price, Mary. The Photograph: a strange confined space. California: Stanford UP, 1994.
Rapport, Nigel. “The Metaphor of ‘Home’.” Migrants of Identity: perception of home in a world of movement. Ed. Nigel Rapport and Andrew Dawson. Oxford: Berg, 1998. 120-133. Rosenthal, Mark. Understanding Installation Art: from Duchamp to Holzer. Munich: Prestel, 2003. Said, Edward W. Out of Place: a memoir. London: Granta, 1999. Salgado, Sebastião. Migrations: humanity in transition. New York: Aperture Foundation, 2000. Sayad, Abdelmalek. “A Land of No Return: exiles live in limbo between two worlds.” The UNESCO Courier, Paris: The UNESCO (Oct. 1996): 10-12. Schall, Jan. Ed. Tempus Fugit: Time Files. Kansas City (USA): The Nelson-Atkins Museum of Art, 2000. Schon, Donald. The Reflective Practitioner: How the Practitioners Think in Action. New York: Basic Books, 1983. Sekiji, Kazuko and Jia-Bao Wu. Asian View: Asia in transition. Tokyo: Tokyo Metropolitan Museum of Photography, 1996. Semin, Didier, Tamar Garb and Donald Kuspit. Christian Boltanski. London: Phaidon, 1997. Shawcross, Nancy M. Roland Barthes on Photography: the critical tradition in perspective. Gainesville: University Press of Florida, 1997. She, Ji-Sheng. The history of social and economic development in I-Lan
County. I-Lan: I-Lan County Hall, 2000.?i?I^OEv?�÷?C�qX�\�|ap? Shih, Juei-Jen.
A preface “Recovering Mainland China: Deconstructing
the Two Warring Blocs through One Soldier’s Performance.” Jui-Chung
Yao, Recover Mainland China- Prophecy & Action. Taipei: Di-Men Art
Education Foundation, 1997. ?i?I^???m?C�gW?�˜??OE3/4”“�h1/2?U�ea�‹�\?”�gW-?d�œ??G�ñ Shun-Chu, Chen. Journeys in Time. Taipei: Chen Shun-Chu, 2004. (�fA^?�ö�fz?C?l�qG�\VcF?C�ea�N�|k?F�fA^?�ö�fz?C2004?B) Suleiman, Susan Rubin. Exile and Creativity: signpost, travelers, outsiders, backward glances. Durham: Duke UP, 1998. Sullivan, Graeme. Art Practice as Research: inquiry in the visual arts. California: Sage Publications, 2005.
Tarkovsky, Andrey. Sculpting in time: reflections on the cinema. Trans. Kitty Hunter-Blair. Austin: University of Texas Press, 1987.
Tien, Ming-Chang, et al. Fabricated Image: an exhibition catalog. Taipei: Ming-Chang Tien, 1997. (�gc�|1/4a`o�N�g(TM)?C�hn?i�L?s�e�‘?F�gWaeT?i`�œi?W?C�ea�N�|k?F�gc�|1/4a`o�N?C1997�hN?B)
Tien, Ming-Chang. Thirty-Thousand-Miles of Exile: a working diary. Unpublished, July. 2004. (�gc�|1/4a`o�N?C�\�Ê�\�’?Oa�NY�L�\�‘?F?H?i`???C�|�‘?o�hA�‹?C2004�hN7OE??B) Tien, Ming-Chang. Thirty-Thousand-Miles of Exile: an autobiography. Unpublished, Nov. 2003. (�gc�|1/4a`o�N?C�\�Ê�\�’?Oa�NY�L�\�‘?F?(C)(TM)B?C�|�‘?o�hA�‹?C2003�hN11OE??B) Trachtenberg, Alan, and Ralph Lieberman. Distinctly American: the photography of Wright Morris. London: Merrell, 2002. Turner, Kay. Beautiful Necessity: the art and meaning of women’s altars. London: Thames & Hudson, 1999. Walker, Ian. “Déjà vu: the Rephotographic Survey project.” Creative Camera: 30 years of writing. Ed. David Brittain. Manchester: Manchester UP, 1999. 127-132. Wang, Pin-Hua. Taiwan Contemporary Art Series: Photography and Video
Art. Taipei: Council for Cultural Affairs, 2003. ?i�ñ?�œi??C�ea�Na`sa�Lc�ea�hu�N?p�ea�‹OEn: ??�ñea�No?^�ñea�‹Y?p?C�ea�N�|k?C�œ�÷OE?? Wu, Hung and Christopher Phillips. Between Past and Future: new photography and video from China. Chicago: Smart Museum of Art, University of Chicago, 2004. Wu, Jia-Bao. “A Short History of Taiwan Photography.” Three
Photographic Perspectives- Hong Kong, Mainland China, Taiwan. Ed. Wong
Wo Bik and Sinsee Ho. Hong Kong: Hong Kong Arts Centre, 1994. ?iOEa`�ñA�r??C1993�hN�f�õ?`�ea�N(TM)_?Y�L?O�fn??�ñeOE?�g�‘? Wu, Jia-Bao. “Texture and Aura: what old photographs look like.” Elite
magazine. 18 (Oct. 1994): 66-72. Taipei: Elite Bookshop. ?iOEa`�ñA�r??C???�La�NoY�N????F?V?AE�œ Yan, Kuen-Yang. Ed. Moon is Brighter at Home: a volume on exile. Taipei: New Naturalism, 2000. ?ie`?�rA`�\z?COE??��OEI`�q1/2�|3/4: �q1/2?D�œN?Ca�Ni�|k?s: ?V?(C)�eR?a�‹�q`?C2000?B?j Yao, Jui-Chung. The New Wave of Contemporary Photography in Taiwan since 1999. Taipei: Yuan Liou, 2003. ?i�rL??�f�õ?C�ea�Na`sa�Lc�ea??�ñe?V�f?�\�Ê?C�ea�N�|k: �ñ�g�\�Ê?C2003?B?j Yao, Jui-Chung. Roam the Ruins of Taiwan. Taipei: Garden City, 2004.
?i�rL??�f�õ?C�ea�Na`soeE? Yu, Ben. Artist Statement in the Exhibition of ‘French Chair in Taiwan’. Taipei: IT Park, 1999. ?iY�Na`�|{i�L??C�en?i`?(C)?q?C�ea�N�|k:�OE�L�fE^OEo�N�ñ??C1999?B?j Yu, Ben. Artist Statement of ‘The Puppet Bridegroom’. Exhibition leaflet, 2002.?iY�Na`�|{i�L??C“a�Nia`s?V?Y”�en?i`?E`�ñi^?C�gWaeT(TM)B?d?C2002?B?j Yu, Kuang-Chung. “Nostalgia.” Night Watchman. Taipei: Jiou-Ge, 2004.?i�\]OEo�f�õ?C“�q1/2?D”?C?c�|e�L?l?C�ea�N�|k?F�qa�ñI`?C 2004?B?j
Websites
Busse, Stefan, Christiane Ehses and Rainer Zech. “Collective research in autobiography as a method of the science of subject”. Forum: Qualitative Social Research. 08/2000. <http://www.qualitative-research.net/fqs-texte/2-00/2-00busseetal-e.pdf> Chen, Xin-Xing. “The transitions of manufacture and migration: from 1960 to 1990 in Taiwan”. The Second Conference on Transborder and Diaspora. Taipei, Dec. 2005. <http://61.222.52.198/user/social/xoops/modules/tinyd0/ index.php?id=18>?i�fA^?M?s?C“?�÷?Y?u�N�gI�\�Ê�g(R)a�No?lOEu^�\�Ê�g(R)?F�ea�Na`s1960~1990�gIaSe�L?“?C�eae�gn�roeOE�~?E�\�Ê�\�’? ?U^�r{?pOE?�g�‘?
Don’t Look Back. dreamthinkspeak. The United Kingdom, 2003. <http://www.dreamthinkspeak.com/dont.htm>
Hsu, Manry. “When History is Beside Itself: On Yao Jui-Chung Recent Works.” Yao, Jui-Chung. <www.yaojuichung.com/home.htm>
London Chinatown History. Chinatown Online. Sept. 2005. <http://www.chinatown-online.co.uk/pages/guide/history.html> MacLead, Katy. “The Functions of the Written Text in Practice Based PhD Submissions”. Working Papers in Art and Design Volume 3. Research into Practice conference, 2004. <http://www.herts.ac.uk/artdes1/research/papers/wpades/vol1/macleod2.html> Not Far Away From Home. Taiwan, 2001. <http://home.pchome.com.tw/web/ mandy_cc/WORD/wordA-138.htm>?i�\�’�ñAE�œs�ñ�g?C90�hN�œ[�eI?A�‹�ñA`?U�œ�÷?C�ea�Na`s?C2001?B?j Shieh, Jhy-Wey (?O�L?u�OI`).“Head and Shoulders above the Rest: The Spirit behind European Society.”European Union Study Association – Taiwan. 2004. <http://eusa- taiwan.org/News_Analysis/Taiwan%20News%20EU% 20PAGE/TN%20EU%20PAGE2004.asp> Sun, Li-Ji and Nie Chuan-Ching. Taiwanese Veterans: a forgotten corner. 2005. <http://tw.people.com.cn/BIG5/43948/3739302.html>?i �ea�Na`s?V?A�N�|�P?F�hi�L?l�Oa^�|Y�gI?p�\??C �e�E�\�˜�qE�L?�œaa�L(TM)B?�L?C2005�hN09OE?30�gu�L?B?j UK Council for Graduate Education. Practice Based Doctorates. 1997. <http://www.ukcge.ac.uk/report_downloads.html> UK Council for Graduate Education. Research Training in the Creative and Performing Arts and Design. 2001. <http://www.ukcge.ac.uk/report_downloads.html> Wikipedia: the free encyclopedia. An introduction of John Cage. 2006. <http://en.wikipedia.org/wiki/John_Cage#Black_Mountain.2C_4.E2.80.9933.E2.80.99.E2.80.99> Yao, Jui-Chung. An Interview with Jui-Chung Yao. Close-up: Contemporary Art from Taiwan, 2000. 2000. <http://aggv.bc.ca/taiwan/credit_page.htm> |
BACK