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COLLAGE
A POPULAR PERSPECTIVE
CUT AND PASTE, exhibition catalogue Edinburgh 2019 |
DOVER'S ANTHOLOGY OF PRINTED SCRAPS |
E.V.LUCAS AND GEORGE MORROW, What a Life! 1911 | |
CELEBRITIES ON FASHION (the Shore Album) 1896 | |
HANS CHRISTIAN ANDERSEN (Christine's Picture Book) | |
HANS CHRISTIAN ANDERSEN , Kjeld Heltoft, Royal Danish Ministry of Foreign Affairs, 1969, and the Collage Screen | |
GRAPHIC NOVEL (Max Ernst) |
FIGURE VARIANTS |
MEG RUTHERFORD, The Beautiful Island 1969 |
PAUL BROWN cover for Peret's Four Years after the Dog, single |
HANNAH HOCH, Six Collages, Whitechapel 2014 |
PAULINE BOTY, Pop Artist and Woman, Wolverhampton ex cat. |
HANNAH HOCH, interview with Roditi from The Dialogues |
NIGEL HENDERSON menu |
NIGEL HENDERSON Collage Screens |
EDUARDO PAOLOZZI Portraits |
EDUARDO PAOLOZZI BUNK catalogue |
ROBERT MOTHERWELL Collage , KNOEDLER BIBLIO |
NORMAN RUBINGTON (Akbar del Piombo) FUZZ AGAINST JUNK 1959 |
THIERRY RENARD, Collages, a selection |
JOSEPH STELLA, VISUAL POETRY, some collages |
LEE KRASNER, War Service Windows |
SCHWITTERS, in the Cohn Collection |
singles
ZOO ANIMALS DO THEIR BIT ILLUSTRATED 1939 |
LIFE'S GALLERY OF BEAUTIES 1893 |
SAME FACE TWO PROFILES 1893 |
AN EXCHANGE OF IDEAS 1896 |
The All American Girl, Rose Herrmann, Americana Magazine |
This section is dedicated to the basic proposition that Collage, far from being an activity associated with the avant-garde, was a parlour pastime engaged in by ordinary people as a matter of course. See Aaron Scharf, Art and Photography. Avant-garde collage should be re-assessed in this light, aligning the artist with popular practice. |
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