|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|||
|
|
|
|||||||
|
|
||||||||
|
|
||||||||
|
|
||||||||
|
|
|
|
||||||
|
|
|
|
||||||
|
|
|
|||||||
|
|
|
|
||||||
"The invitation (to work for FORTUNE) came out of the blue and I was highly suspicious of them. They gave me first class travel on a good ship, all expenses paid etc., and in the end I found the artist in America was much more highly thought of than in England. It was very hard work turning out a set of paintings each month to a definite time date and during the rigours of a New York summer." Letter to Phil Beard July 1984. Badmin was responsible for three portfolios,
|
|
