| The Almanac
   
          
             OXFORD
              ALMANACK 1674
  A table of astronomic events with predictions for the coming year. 
              They were mass printed and can be seen as part of popular art. At 
              the beginning of the Twentieth Century individual publishers used 
              the term more to describe a publisher's miscellany of literary texts 
              bound together and presented to customers at the beginning of the 
              year.
  PUNCH ALMANACKS
  CRUIKSHANK COMIC ALMANACKS
  MARGARET
                BRYAN, A Children's Almanac 1947
  anonymous print attacking Patrick Murphy's weather almanacs 1838
  IN THE PUBLIC DOMAIN
   01. Almanac 
          Cuts from the Boston Type and Stereotype Foundry Catalog (1832) 
          published by Dover Books NY 1989, edited by Stephen Saxe. The cuts present 
          modern narrative glosses upon the signs of the Zodiac. 02, 06, 07, 08 HOLLAND 
          ; a Dutch Catholic Almanac, SUNRISE Utrecht 1940, and 
          a most bizarre combination of image and text. Here are the covers, symbolising 
          the passing of the year through its seasons.The covers measures 21 x 
          33cms.  03. Almanac in a 
          single sheet, The Almanac for 1837 ,published by the 
          Pellerin Company in Epinal ("L'Image d'Epinal").  04. GERMANY Insel 
          Verlag Almanacs.  Every year the German publishing firm of 
          Insel Verlag issued an Almanac which, although conforming to the standard 
          pattern of almanach, is more like a sort of literary miscellany with 
          corporate references. They were very beautifully designed, these perhaps 
          by Peter Behrens. 05. Punch 
          Almanac for 1949, November 1st, drawing by BROCKBANK, 17 x 
          24 cms 
 09. Almanac for 1841 , a heady mixture of astronomic 
          and astrologic lore. 11 x 18cms
 10. The Oxford Almanac, one of a series of broadsides 
          commissioned from the Oxford University Press who held the national 
          monopoly on publishing almanacs. This engraving is by Michael Burghers 
          who was eventually succeeded by a sequence of brilliant men, Basire, 
          Vertue and the Rookers and James Basire who turned the imagery from 
          the emblematic to the topographic.
 
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