| Edward 
        Lear (1812 - 1888)  Lear preferred the term NONSENSE - the term limerick is listed by the 
        Oxford English Dictionary as having first appeared in 1898 but is of much 
        greater antiquity as a literary form.
 LIMERICK - a verse form in five lines ( aabba ) and the usual vehicle 
        for bawdy ("There was a young man from Brent...etc etc."). The 
        verse form is exclusively comic and can be found at the beginning of the 
        eighteenth century ( Mother Goose Melodies for Children 1719) and later 
        ( The History of Sixteen Wonderful Old Women , 1821).
 One of Lear's own nom-de-plume was Derry-down-Derry, the name of a Fool 
        in a Mummer play.
 His first Book of Nonsense was published in 1846 but 
        was an ephemeral affair and no copy is thought to have survived. The second 
        edition was published by Thomas McLean in 1855 and a third came out in 
        1860 - on economic grounds using using woodcuts instead of lithography.
 
 These examples of his work are reproduced from The Book of Nonsense 
        and More Nonsense published by Warne London c1885. Each measures 
        20 x25cms.
 Lear was a prodigiously prolific landscape painter in watercolour and 
        oils, having learnt much about the latter from William Holman Hunt. He 
        was equally active as an illustrator of birds and plants. His most enduring 
        work is his corpus of Nonsense illustration, drawn quickly, with great 
        spirit and intense feelings of melancholy, anxiety, and dwelling on the 
        grave results of disorder.
 
 Looking at many scrap albums of the period, and the more spontaneous works 
        of Cruikshank and Leech, it is perfectly possible to see where Lear is 
        coming from. The difference is in the poetic insight he brings to human 
        feelings expressed through the medium of supposed nonsense.
 
 
 
 Many of Lear's Nonsense images are poignant and tense affairs. I conclude 
        this selection with a drawing of almost insupportable sadness and anxiety 
        - combining a melancholy of departure that would not look out of place 
        in a painting by de Chirico - with anxieties and stasis in equal measure.
 
 After Lear's example, the limerick became a more familiar form of 
        verse - eg. Tennyson, Kipling and W.S.Gilbert.
 Lear's Nonsense Verse is inseparable from his own drawings. All the more 
        achievement then when The Nonsense Verse of Edward Lear was published 
        by Jonathan Cape in 1988 with illustrations by John Verrnon Lord, Professor 
        of Illustration at the University of Brighton. His own account of the 
        book was given in his Professorial lecture and published by the University 
        in 1993.
 
 See also Hugh Haughton (ed.) The Chatto Book of Nonsense Poetry 
      , Chatto & Windus London 1988.
    
 
 
 LANDSCAPES 
 LIVING THINGS     |