| ..................................................................... A MISCELLANY OF  
        ANATOMICAL PLATES 
 01 Paracelsus, Aureolus Phillipus Theophrastus, Erster Theyl der 
            Grossen Wundartzeney.. .Frankfurt 1563, and a book prodigiously 
          illustrated with woodcuts. The illustration uses a mode of identification 
          with references to a separate chart. The overall impression is one of 
          an ungainly body and suppressed pain.
 
 
 09 An Islamic manuscript, Anatomy of Mansur , Iran, 16th 
          century, having been composed in 1396. It is written in Nasta'liq script 
          and has six sections, each with an illustration -
 Skeletal System - Nervous System - Muscular System - Venous System - Arterial 
        System - and the Arterial System of a Pregnant Woman.  Catalogued 
          and reproduced in Maggs Brothers Sale catalogue " The Art of Writing 
        ", London undated (c1935) p.385.
 
 06 BUFFERIN advert August 1955 12 x 15cms
 
 03, 04 Two examples of illustration from anatomy books; left Spigelius, Opera quae extant omnia , Blaue, Amsterdam, 1645 done 
          when the author was Professor of Anatomy at Padua, the plates deriving 
          from Casserius' unpublished Theatrum anatomicum.
 from a 1555 edition of Andreas Vesalius' De humani corporis fabrica libri 
        septem, published by Johannes Oporinus in Basle.
 
 two plates from Charles Estienne, La Dissection des parties du corps humain 
        diusee en trois liures. .. de Colines, Paris, 1546. The woodcuts of figures 
        are said to have been drawn by G.B.Rosso, from life (or rather death) 
        in an Italian cemetery. Rosso makes the female figures particularly sensuous 
        and yearning, even in their exposed condition.
 from Pietro da Cortona's Tabulae Anatomicae .... published 
        in Rome in 1741.
 Claude Perrault, Memoirs for a Natural History of Animals , Streater, London 1688.
  05 Philippe Etienne La Fosse, Cours Hippiatrique... Edme 
        Paris 1772. The celebrated book dedicated to all aspects of the Horse. 
        This is an inventive combination of objective drawing and the Scenic.
   LIFE 
        DEATH SKELETONS Albinus 
          (Bernhardus Siegfried) Tabulae Sceleti et Musculorum Corporis 
            Humani, Verbeek at Leiden 1747, and the most celebrated of anatomic 
          atlases, much beloved for its attempts to wed the unreal world of the 
          anatomical specimen with the landscape perceived by us all - aggregating 
          to an intensified surreal vision of a dream world - an umbrella encountering 
          a sewing machine on an operating table. The twenty eight engraved plates 
          are executed by Jan Wandelaar, here incorporating the famous rhino that 
          was acquired by Amsterdam Zoo in 1741, the first of its kind in Europe.
 from Hans von Gersdorff's Feldbuch der Wundartzney 
          , Strassbourg, 1540, and a diagrammatic representation of the 
        human skeleton. Given the convention of line that directs the eye and 
        the need to compress text - this is an interesting solution. There is 
        a difficulty where the information between the legs begins to suffer from 
        crowding. Note the uneasy suggestion of a platform upon which the skeleton 
        stands, and the predominance of the diagrammatic.
 Two plates 
        from Pietro da Cortona's Tabulae Anatomicae .... published 
        in Rome in 1741. 
 From William 
        Chiselden, Osteographia or The Anatomy of the Bones , 
        printed by William Bowyer in 1733. 02 Titlepage 
        to Julius Casserius, De Vocis Auditusque Organis Historia Anatomica , Baldinus at Ferrara, 1600 - 1601. "A Masterpiece of Book 
        Illustration and the most beautiful book ever published on the ear and 
        throat..." The illustrations are in copperplate engraving and are 
        thought to be by the German artist, Joseph Maurer. The titlepage is in 
        many ways a contrast to the anatomical accuracy achieved within the book 
        - a fantastic assemblage of little boney folk in the exact poses struck 
        by posturing emblematic figures on a conventional seventeenth century 
        titlepage. 
 
 
 04 Titlepage to Jan Swammerdam's Tractatus Physico-Anatomico-Medicus 
          de Respiratione Usque Pulmonum , Leiden 1667. The association 
        of the snails bearing down on the date is a marvellous conceit.
   OF 
        ANIMAL MOTION Two plates 
        from Giovanni Borelli, De Motu Animalium , Of Animal 
        Motion; 1680, engraving of various stages of muscles expanding and contracting 
        in human and animal forms.    BODY 
        PARTS 01 from 
        William Hervey's De Motu Cordis & sanguinis in animalibus, 
          anatomica exercitatio, Leiden 1639.  02 from a German Medical Book, c1810 with handcoloured plates providing 
        a populist guide to the body, physiognomy, and general pharmacy; each 
        page measures 10 x 17cms.
  ANDREAS VESALIUS, Figures and fragments
  The World of Wonder 1932, the senses
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