| TOP 
        ROW 01 Harpo 
        Marx in an advertisement for Smirnoff's Vodka, Sept 1961 02 graphic 
        representation an article on Hiccups, from LOOK magazine 
        May 1954, 
 03 from 
        Leslie Wood, The Story of Little Red Engine, Faber and 
        Faber undated c1950 04 05 Gerard 
        Hoffnung, The imaging of a Snore from Lilliput Magazine 
        ....And Things that go hrr-hrr-hrr in the Night, September 1948. 3 cms 
        square both   MIDDLE 
        ROW 01 American 
        insurance advertisement, c1948 02 Joshua 
        Steele, An essay towards establishing the melody and measure of 
        speech to be expressed and perpetuated by peculiar symbols, London, 
        1775.   03 Athanasius 
        Kircher, Musurgia universalis sive ars magna, Corbelletti, 
        Rome, 2 vols., 1650. Kircher of all the encyclopaedists and polymaths 
        seems to have found the most compelling images to communicate his scientific 
        perceptions. Here is a diagram of the reflective properties of sound in 
        a section on acoustics. another engraving in Kircher's book 04 the cartoon 
        character, Hazel the Maid, by Ted Key with terrific flourish. 
        (1956 month unknown)   BOTTOM 
        ROW   01 John 
        Vernon Lord, illustration to The Nonsense Verse of Edward Lear, 
        Cape, London 1984, 
        There was a Young Lady of Russia,
 Who screamed so that no one could hush her;
 Her screams were so extreme, no one heard such a scream,
 As was screamed by that lady of Russia.
   02 (beneath) 
        Federico Castellan's painting of Deafness, c1948, reproduced 
        from LOOK magazine.    03 Franchinus 
        Gafurius Theorica Musice published in Milan in 1492 
 04 The Street Cries of London; never really persuasive 
        as depictions of sound, but a clear anthology of sounds as heard on London 
        streets.
 To render noise visually has always been seen as the province of the comic 
        book artist, but it also has a noble tradition in the Visual Arts, from 
        Ingres' invocation of harp strings and dribbling water, to the outrageous 
      excesses of the Futurist Movement.
   
  IMAGES OF THE EAR 
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