| The Life 
        and Bitter Times of Father Christmas.
 
 
 
 WILLIAM JOYCE ILLUSTRATES SANTA 
        AND THE PRODUCT
 TOP ROW, 
        01 advert for Pennsylvania Railroad December 1947, 23 x 27 cms
 
 04 Odder and odder, it is possible to encounter Santa in multiplicity. 
        Three have turned up in your living room. One hushes, one listens and 
        another smokes. They seem oblivious to the TV screen which, like a security 
        camera, shows another Santa. Full Page ad for Admiral Triple Thrill Magic 
        Mirror Television .
 SANTA AT THE FRIDGE The defining image of Santa Claus, December 1st 1951,
             full page ad., COCA COLA. A beautifully painted image in the painterly
             tradition of Sundblom. "The model for Santa Claus for years
             was a  retired salesman named Lou Prentice, who embodied all the
             features and  spirit of Santa Claus, including the wrinkles which
             were so evident when  he smiled or laughed. Lou passed away several
             years ago and since that  time I have been using my own face as
             model." Harold Sunblom.
 
 TOP ROW, 02 Full page advert for Budweiser Lager Beer , Dec 19th 1950. 
        And the most hirsute of all Santas in the marketplace - his eagerness 
        of hospitality extending with every horizontal tuft at eyebrow and lip. 
        The drooping duck neck takes the eye down to the rest of the ad and the 
        slogan, "Something more than beer . . . A Tradition in Hospitality". 
        Unknown illustrator but well conceived gesture.
 Full 
        page advert for Brunswick Mineralite Bowling Balls , "The Number 
        One Name in Bowling", November 27th 1948. The way he holds it, you 
        know he's handled these things before. The illustrator F.M.Davis hasn't 
        drawn a sheet of paper before. Try and get your fingers around the paper 
        like Santa - I suspect Mr.Davis feels uneasy with thumbs. The British 
        Santas are altogether more "Gentlemen" and it is rare to see 
        such greed and hysterical jollity as is pictured in US ads. These Santas 
        are from the Squirearchy not the Asylum. detail of Gillette Razor advert, 
        November 1950, designed by Tom Eckersley. The detail meaures 10 x 10 cms. 
        Also in this section detail from an advert for Austin Reed, Tailors. November 
        19th 1952 measuring 11 x 15cms. Compare this benevolence with the Santa 
        who broadcasts to American Housewives on Detergents.See also detail from 
        another Austin Reed Christmas advert Novemeber 24th 1954.  
 SEXY SANTA
  The Father 
        here revealed is drawn in the generally highly erotic Barbasol adverts, 
        where the product used by Man delights the Woman. "Just what I wanted 
        . . . a Barbasol face ! Yes, whiskers come off fast when you use Barbasol." 
        December 3rd 1949  Whispering Santa, detail from an advert for Silex Kitchen Equipment , 
        December 9th 1950; "Solve Your Gift Problem with Silex" ; Santa 
        Claus' characterisation is distinctly odd with access to people's houses 
        and some very curious apparel. His erotic appeal, at first glance, seems 
        negligeable. Yet of course he can be the Father in disguise. Here Santa 
        has slipped behind the Housewife whose only Christmas dream is a better 
        cooking experience, and whispers in her ear, the soft sweet seductive 
        voice - in a sort of secular Annunciation.
 Full 
        page Advert for Chesterfield Cigarettes , Liggett & Myers Tobacco 
        Co., December 1955. And about as mad a depiction of the old gentleman 
        as you can get; the inner turmoil seems to materialise in ribbon around 
        his flushed features. This image is the most extreme version of the fragmentation 
        of the face into a catalogue of wrinkles and and pendulous lobes of flesh 
        - all convincing us of his JOLLITY. But so disturbing the crazed eyes 
        and WET LOWER LIP.     December 
        1949 advert for Barbasol 12 x 26cms 
 CLEARLY SOMEONE ELSE ; SANTA ECCENTRICA
 There 
        is a long and distinguished tradition of thoroughly undermining everything 
        that Santa Claus stands for in the pursuit of commercial profit. Over 
        the years, Santa Claus/Father Christmas has been called upon to front 
        some odd products, and, in the process, end up in some odd poses.  
         TOP 
        LEFT Full page advert for Aetna Casualty Insurance , December 1964, and 
        a visual metaphor for Capitalists at Christmas. Macabre gutted version 
        of Santa, rather like the flayed skin of Michelangelo in the Sistine Chapel. 
        The Tale unfolds, that their client wanted them to check on Christmas 
        season bonus cheques sent to the disabled workers. It has resulted in 
        a sensational image of a sort of gawky guffawing Santa with one thin leg. 
        Bless the Season.    "I 
        Saw Mummy Kissing Santa Claus"  "A 
        Message from Santa Claus to every Husband who Really Loves His Wife". 
        Full page Advert for ALL a detergent for automatic washing machines, November 
        29th 1952, "No doubt about it my friend the modern automatic washer 
        is the cleverest piece of time and wife-saving machinery since running 
        water. Greatest boon to women since the discovery of kissing". Santa, 
        you Old Dog.   TRADITIONAL 
        MODES OF REPRESENTATION Clement 
        C.Moore , The Night before Christmas, published anonymously 
        in 1823 in the Troy Sentinel, and was most famously illustrated by W.W. 
        Denslow. in 1902 (Dillingham NY) The description of Saint Nick;
  
        
          His eyes how they twinkled; his dimples how merry !
 His cheeks were like roses, his nose like a cherry !
 His droll little mouth was drawn up like a bow.
 And the beard of his chin was as white as the snow;....
 He had a broad face and a little round belly
 That shook, when he laughed, like a bowl full of jelly.
 He was chubby and plump, a right jolly old elf,
 And I laughed when I saw him, in spite of myself.
 A wink of his eye and a twist of his head
 Soon gave me to know I had nothing to dread;...
  
 
 FURTHER REFERENCES
 SANTA in FILMS;
 
 
  
        Miracle 
          on 34th Street (Edmund Gwenn) The Lemon Drop Kid (Bob Hope)
 The Light at Heart (Monty Wooley)
 Babes in Toyland
 
 FILMS; Christmas
 
 
  
        Meet Me 
          in St LouisThe Holly and the Ivy
 It's a Wonderful Life
 The Bells of St.Mary
 White Christmas
 
 Time and Symbolism
 
 
  
        James 
          Bentley, A Calendar of Saints , Orbis London 1986 Lawrence Wright, Clockwork Man; The Story of Time, its origins, 
          its uses, its tyranny Barnes & Noble NY 1992
 Arnold Whittick, Symbols, Signs and Their Meaning, 
          Hill London 1960.
 
 Yuletide
 
 Steven Heller, Artists' Christmas cards, New York, 1979
 William Waits, The Modern Christmas in America , New York Univ.Press NY 
        1993
 J.M.Golby, and A.W.Purdue, The Making of the Modern Christmas , Batsford 
        ,London 1986
 Cecil Munsey, The Illustrated Guide to the Collectibles of Coca-Cola Hawthorn 
        NY 1972.
 Marcel Mauss, The Gift, New York 1967, a psychological study of giftgiving.
 David Cohen(ed) Christmas in America , Collins, San Fra.1988
 
 
 BRIEF 
        CHRONOLOGY c300AD Saint Nicholas, Bishop of Myra. 1800-1880, hand made presents,
         kids enjoy licence in time and sweets, the spectre of Santa's
         vengeance.  Early Santas are small elves with presents and switches.
         1863; Thomas  Nast's drawings for Harper's of Santa Claus (the new term
         for Saint  Nicholas) 1880's the mechanisation of presents.
 1900 the urbanisation of the American Christmas and the department store 
        character. 1914; the formation of the Santa Claus Association (until 1928) 
        to preserve belief.
 1930, Coca Cola's first Santa. 1931 Coca Cola redraws Santa, Haddon Sundblom 
        of Ayers of Chicago. 1937, the first Santa training school at Albany NY 
        Salvation Army gives up on the SC figure because of proliferation.
 1954, three Santa schools.
 1957, Boston restricts SCs to one on the common.
 
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