An overview
A number of key strands of research have been identified to address
the core areas in relation to the study focus. Research undertaken to
date has embraced primary and secondary sources.
Research has included visits to and contact with :
- key packaging collections and archives
- contact with design companies specialising in packaging design and
corporate identity
- contact with manufacturers
- contact with collectors , dealers and societies relating to packaging
- key museums
- packaging organisations
- collection of packaging examples – historical and contemporary
- supermarkets, specialist retailers, department stores
plus becoming a member of relevant societies ( currently pursuing
membership of a number of professional organisations)
and conference attendance and participation ( e.g. Design History
Society Annual Conference, University of Aberystwyth , September 2003.)
Reference to a range of books, journals, websites, articles, trade publications
etc has established an initial foundation regarding;-
- the historical and contemporary development of packaging within
relevant social, cultural economic and technological contexts
- key designers – examples and approaches/styles
- key legal, manufacture and design considerations – e.g. materials,
colour
- theoretical issues
- consumer culture
- marketing theory
- retailing and advertising
- market research
- corporate identity and branding issues
- concepts relating to the notion of celebrity
- graphic design eg typography, printed ephemera
- sourcing examples of relevant music, advertisements, television
programmes etc related to the context of packaging, food and cooking,
shopping and consumerism.
Consideration of other research studies has helped to develop a further
understanding of the scope and rigour required and the scale of material
that can potentially be embraced.
References
Categories of research – please note that this
is an indicative listing and does not document the full extent of research
sources utilised
Culture
It is necessary to place the research focus within the wider context
of cultural
activities and theories.
Key texts to date include:
Baudrillard,J. 1998 The Consumer Society : Myths and Structures.
London : Sage.
Ewen, Stuart. 1988. All consuming images : the politics of style
in contemporary culture. London : Basic Books.
Giles, Judy and Tim Middleton. 1999. Studying Culture. Blackwell
Klein, Naomi. 2001. No logo. London : Flamingo
- a useful source for ideas and examples relating to branding etc
Twitchell, James, B. 1996 Adult USA. Columbia University
Press
- identifies key terms and examples especially relating to television
Branding and Corporate identity
It is recognised that there exists a wide range of sources relating
to branding and corporate identity – highlighted are some of the
key texts in relation to visual and theoretical reference use . Brand
websites and organisations are also utilised.
Carter, David, E. 2000 American Corporate Identity 2001
. New York : HBI
Cowley, Dan.(ed) 1996 Understanding Brands. London
: Kogan Page
de Chernatony,
Leslie and Malcolm H.B. McDonald. 1992. Creating powerful brands.
Oxford: Butterworth-Heinemann Ltd.
Dotz, Warren and Morton, Jim.(1996) What a character! 20th century
American Advertising Icons. San Francisco : Chronicle Books.
Knobil, Marcel. 2001 Superbrands: An insight into 100 of Britain’s
strongest brands. London : Superbrands Limited.
Myers, Greg. 1999. Ad Worlds : Brands, Media, Audiences.
London : Hodder Headline group
Olins, Wally .1989. Corporate Identity. London : Thames
and Hudson.
Pavitt, Jane. 2000. Brand new. London : V & A Publications
Upshaw, Lynn, B. 1995 Building Brand Identity : A strategy for
success in a hostile marketplace. New York : John Wiley and
Sons. Inc.
Package Design
Bathe, Peter. 1997. Developments in the packaging of alchoholic
drinks. Pira.
Behaeghel, Julien. 1991. Brand Packaging : the permanent medium.
London: Architecture Design and Technology Press.
Charlton, D.E.A. 1937. The Art of Packaging. London
: The Studio.
Danton de Rouffignac, Peter. 1990. Packaging in the marketing
mix. Oxford : Butterworth – Heinemann Limited
.
Davis, Alec. 1967. Package and Print : the development of container
and label design. London : Faber and Faber.
Gray, Milner .1995. Package Design. London : The Studio
Limited.
Griffith, David. 1979. Decorative Printed Tins : the golden
age of printed packaging. London : Studio Vista.
Herdeg, Walter. 1977. Graphics : Packaging 3. Switzerland
: Graphics
Hine, Thomas. 1995. The Total Package. New York : Little
Brown and Company
Jankowski, Jerry. 1998 .Shelf Space Modern Package Design 1945
– 1965.
San Francisco : Chronicle Books.
Lloyd Morgan, Conway. 1997 Packaging Design. Switzerland:
Rotovision.
Minale, Marcello (editor). 1993. The Leader of the pack.
London: Elfande.
Museum of Modern Art. 1959 . The Package Vol.27, No. 1,
Fall 1959.
Neubauer, G. Robert. 1973. Packaging the contemporary media.
New York : Van Nostrand Reinhold.
Opie, Robert.1987. The Art of the Label. Simon and
Schuster.
Packaging Prototypes .CD Rom.
Packaging Prototypes 2 .CD Rom NC 14641
Paine, F.A. (ed) . 1962. Fundamentals of Packaging.
London : Blackie and Son limited.
Phillip, Renee. 2001 Packaging Graphics and Design.
Massachusetts: Rockport Publishers, Inc.
Pilditch, James. 1961 The Silent Salesman : how to develop packaging
that sells London : B.T. Batsford Limited.
Reese, Theresa. 1994. Print Casebooks 10 : The Best in Packaging.
New York : RC Publications, Inc.
Sacharow, Stanley. 1982. The package as a marketing tool.
Radnor, Pennsylvannia: Chilton Book Company
Sutnar, Ladislar .1953. Package Design : the force of visual
selling. New York: Arts, Inc
Advertising
Key sources exist that address theoretical issues, archive collections,
practice and history. These are important to support a wider and deeper
understanding and appreciation of packaging’s relationship within
the wider advertising sphere and the context of consumerism.
(2001) Celebrity Sell. London: Prion Books Limited
Danna, Sammy,R. (ed) 1992. Advertising and Popular Culture :
Studies in variety and versatility. Ohio: Bowling Green State
University Popular Press.
Dotz, Warren and Husain, Masud. 2003. Meet Mr. Product : The
Art of the advertising character. San Francisco : Chronicle
Books
Dotz, Warren and Morton, Jim..1996. What a character! 20th century
American Advertising Icons. San Francisco : Chronicle Books.
Kleinman, Philip. (ed). 1985. Modern Publicity 1984 / 85 Vol.53.
London: Cassell
Lears, Jackson. 1994. Fables of abundance : A cultural history
of advertising in America. New York : Basic Books.
Margolin, Victor, Brichta, Ira and Brichta, Vivian..1979. The
promise and the product 200 years of American Advertising posters.
New York: MacMillan Publishing Company.
Messaris, Paul. 1997. Visual Persuasion . The role of images
in advertising. London : Sage.
Myers, Greg. 1999. Ad Worlds : Brands, Media, Audiences.
London : Hodder Headline group.
Nava, Mica., Blake, Andrew.,MacRury, Iain and Richards, Barry. (eds)
1997. Buy this Book : Studies in advertising and consumption.
London: Sage.
Sivulka, Juliann. 1998. Soap, sex and cigarettes : A cultural
history of American advertising. Wadsworth Publishing
Wernick, Andrew. 1994. Promotional Cluture:Advertising, ideology
and symbolic expression. London : Sage.
Williamson, Judith. 1978. Decoding Advertisements.
London : Marion Boyars
Collections
A number of key collections have been identified and visited. Two key
sources are:
The Design Collection Museum, The Arts Institute at Bournemouth
The Centre for Ephemera Studies, Reading University
VADS website
With the demise of the Robert Opie Pack Age Museum at Gloucester diverse
sources are now pursued to locate access to primary sources of historical
packaging. Websites for international collections and museums are useful
although the quality and quantity of visual material and information
is varied.
Celebrity
A number of recent publications address numerous aspects of this area
– key texts include:
2001. Celebrity sell: Star endorsement in the classic age of
advertising. Prion
Marshall,P.D. 1997. Celebrity and Power fame in contemporary
culture. Minneapolis: University of Minnesota Press.
Rojek,Chris.(2001) Celebrity. Reaktion
Marketing
Market research and trade journals and reports provide invaluable sources
Danger, Eric. P. 1983.(1968) Using Colours to Sell.
Aldershot : Gower Press.
Letterman, G.Elmer. 1957. The New Art of Selling. New
York: Harper and brothers.
O’ Shaughnessy, John. 1987. Why People Buy. New
York: Oxford University Press.
Schmidt, Bernd and Alex, Simonson. 1997. Marketing Aesthetics.
New York: The Free Press.
The Grocer magazine
White, Roderick. 1998. The theory behind global campaigns.
Admap. March : 48
Graphic Design/ Visual communication
Creative Review magazine
Design Week magazine
Fishel, Catherine. 2000. The Perfect Package :How to add value
through graphic design. Massachusetts: Rockport.
Lewis, John. 1976. Printed Ephemera. London : Studio
Vista.
Modern Publicity
Nawigamune, Anake. 2000 . A Century of Thai Graphic Design.
London: Thames and Hudson.
Design
A wide range of texts and sources are considered regarding wider issues
and theories relating to product semantics, design etc. One interesting
source is:-
Teague, Walter , Dorwin. Design This Day : The technique
of order in the machine age. London : The Studio.
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